https://christianilli.com/reversed-dunk-(2023) 2025-08-24T19:10:24+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br /><div style="text-align: right">Art in Architecture / Public Intervention / Site-specific<br />Amazon / Allianz Tower (BIG), Warschauer Brücke, Berlin</div> https://freight.cargo.site/t/original/i/T2291874243217526273474951705237/Studio-KIM_ILLI-REVERSED-DUNK_1-2048x1866.jpg <br /><div style="text-align: right">Art in Architecture / Public Intervention / Site-specific<br />Amazon / Allianz Tower (BIG), Warschauer Brücke, Berlin</div> https://christianilli.com/the-drop-(2025) 2026-03-01T17:39:34+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: right"><br />Site-specific / Public Intervention / Performance<br /> Teapyeong Salt Farm Ruins, Sinan County, KOR</div><br /> https://freight.cargo.site/t/original/i/K2742605341089896200691477181077/THE-DROP_1.jpg <div style="text-align: right"><br />Site-specific / Public Intervention / Performance<br /> Teapyeong Salt Farm Ruins, Sinan County, KOR</div><br /> https://freight.cargo.site/t/original/i/V2742605633968851858978028188309/THE-DROP_2.jpeg <div style="text-align: right"><br /> Site-specific / Public Intervention / Performance<br />Teapyeong Salt Farm Ruins, Sinan County, KOR</div> https://freight.cargo.site/t/original/i/C2742605752765883693667540595349/THE-DROP_3.jpeg <div style="text-align: right"><br />Site-specific / Public Intervention / Performance<br />Teapyeong Salt Farm Ruins, Sinan County</div> https://freight.cargo.site/t/original/i/E2742678648506185354670727819925/THE DROP (2025) [EXCERPT] https://christianilli.com/soil-beings-lamánlupa-(202425) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <i><br /> </i><div style="text-align: right"><i>Terrarium -- Commissioner:</i> National Commission for Culture and the Arts (NCCA)<br />Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda<br /><i>Curator</i>: Renan Laru-an</div><br /> https://freight.cargo.site/t/original/i/N2467079579270788702211440964245/Soil-beings--Soil-Tile-Crates--Installation-View-II-2025.jpg <i><br /> </i><div style="text-align: right"><i>Terrarium -- Commissioner:</i> National Commission for Culture and the Arts (NCCA)<br />Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda<br /><i>Curator</i>: Renan Laru-an</div><br /> https://freight.cargo.site/t/original/i/S2467079747302180469631746634389/Soil-beings--Terrarium-Close-up--Installation-View-III-2025.jpg <i><br /> </i><div style="text-align: right"><i>Terrarium -- Commissioner:</i> National Commission for Culture and the Arts (NCCA)<br />Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda<br /><i>Curator</i>: Renan Laru-an</div><br /> https://freight.cargo.site/t/original/i/R2467092431892148106751852999317/Soil-beings--Terrarium--Installation-View-I-2025.jpg <i><br /> </i><div style="text-align: right"><i>Terrarium -- Commissioner:</i> National Commission for Culture and the Arts (NCCA)<br />Department of Foreign Affairs (DFA) and the Office of Senator Loren Legarda<br /><i>Curator</i>: Renan Laru-an</div><br /> https://christianilli.com/flat-works-or-untitled-material-studies-갯벌-(2025) 2026-01-13T19:00:42+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: left"><br />Mudflat Studies; Soil Pigments, Salt Crystals, Tidal Sediments, Marine Ropes, Rubber Mats, Fishing Nets and Casts, Metal Grommets, Archival Debris<br />Untitled-No. 4 / Installation and Works on Canvas / Dimensions: approx. 160 cm width x length var.</div> https://freight.cargo.site/t/original/i/Y2742640884221037192034402235029/Exhibition-View_Flat-Works-or-Untitled-Material-Studies_III.jpg <div style="text-align: left"><br /> <i>‘The land remembers through wavelengths we do not yet know how to read’</i><br />Exhibition View, Solo Exhibition, <br />Salt Museum, Sinan County, KOR</div> https://freight.cargo.site/t/original/i/H2742640884368611144624078647957/Exhibition-View_Flat-Works-or-Untitled-Material-Studies_I.jpeg <div style="text-align: left"><br /> <i>‘The land remembers through wavelengths we do not yet know how to read’ </i><br /> Exhibition View, Solo Exhibition, <br /> Salt Museum, Sinan County, KOR</div><br /> https://freight.cargo.site/t/original/i/Q2742640884350164400550369096341/Exhibition-View_Flat-Works-or-Untitled-Material-Studies_II.jpg <div style="text-align: left"><br /> <i>‘The land remembers through wavelengths we do not yet know how to read’</i><br />Exhibition View, Solo Exhibition, <br />Salt Museum, Sinan County, KOR</div> https://freight.cargo.site/t/original/i/M2744169345758981726927031169685/Untitled-No.-4.jpg <div style="text-align: left"><br />Mudflat Studies; Soil Pigments, Salt Crystals, Tidal Sediments, Marine Ropes, Rubber Mats, Fishing Nets and Casts, Metal Grommets, Archival Debris<br />Untitled-No. 4 / Installation and Works on Canvas / Dimensions: approx. 160 cm width x length var.</div> https://freight.cargo.site/t/original/i/R2744169345869662191369288479381/Untitled-No.-1.jpg <div style="text-align: left"><br />Mudflat Studies; Soil Pigments, Salt Crystals, Tidal Sediments, Marine Ropes, Rubber Mats, Fishing Nets and Casts, Metal Grommets, Archival Debris<br />Untitled-No. 4 / Installation and Works on Canvas / Dimensions: approx. 160 cm width x length var.</div> https://freight.cargo.site/t/original/i/H2744169345832768703221869376149/Untitled-No.-3.jpg <div style="text-align: left"><br />Mudflat Studies; Soil Pigments, Salt Crystals, Tidal Sediments, Marine Ropes, Rubber Mats, Fishing Nets and Casts, Metal Grommets, Archival Debris<br />Untitled-No. 4 / Installation and Works on Canvas / Dimensions: approx. 160 cm width x length var.</div> https://freight.cargo.site/t/original/i/L2744169345851215447295578927765/Untitled-No.-2.jpg <div style="text-align: left"><br />Mudflat Studies; Soil Pigments, Salt Crystals, Tidal Sediments, Marine Ropes, Rubber Mats, Fishing Nets and Casts, Metal Grommets, Archival Debris<br />Untitled-No. 4 / Installation and Works on Canvas / Dimensions: approx. 160 cm width x length var.</div> https://christianilli.com/field-notes-on-(structural)-silence-or,-how-to-camouflage-with-colours-(2025) 2026-01-12T23:53:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/U2742824200806305016959056016021/II.-PROCEDURAL-OPERATIVE-Long-Exposure-as-Testimony_Still-3.jpg <br />Stills from II. PROCEDURAL (OPERATIVE): Time-Stamping the Salt Fields; <i>“Long Exposure as Testimony”</i><br /><div style="text-align: left"> <br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘15“<br /> </div> https://freight.cargo.site/t/original/i/B2742824200843198505106475119253/II.-PROCEDURAL-OPERATIVE-Long-Exposure-as-Testimony_Still-1.jpg <br />Stills from II. PROCEDURAL (OPERATIVE): Time-Stamping the Salt Fields; <i>“Long Exposure as Testimony”</i><br /><div style="text-align: left"> <br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘15“</div> https://freight.cargo.site/t/original/i/B2742824200861645249180184670869/II.-PROCEDURAL-OPERATIVE-Time-Stamping-the-Salt-Fields_Still-1.jpg <br />Stills from II. PROCEDURAL (OPERATIVE): Time-Stamping the Salt Fields; <i>“Long Exposure as Testimony”</i><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘15“</div> https://freight.cargo.site/t/original/i/E2742824200824751761032765567637/II.-PROCEDURAL-OPERATIVE-Long-Exposure-as-Testimony_Still-2.jpg <br />Stills from II. PROCEDURAL (OPERATIVE): Time-Stamping the Salt Fields; <i>“Long Exposure as Testimony”</i><br /><div style="text-align: left"> <br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘15“</div> https://freight.cargo.site/t/original/i/V2742868261555501347024053793429/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-10.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/V2742868261573948091097763345045/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-11.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/E2742868261518607858876634690197/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-8.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/E2742868261500161114802925138581/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-7.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/X2742868261315693674065829622421/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-6.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/C2742868261537054602950344241813/I.-REPORT-ON-THE-CONDITION-OF-LAND-The-ground-speaks-in-delayed-frequencies_Still-9.jpg <br />Stills from I. REPORT ON THE CONDITION OF LAND: <i>“The Ground Speaks in Delayed Frequencies”</i><br /><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />5 ‘05“</div> https://freight.cargo.site/t/original/i/I2742875024925088764115186938517/III.-A-CHROMATIC-REPORT-ON-TRANSITION-Colour-as-Forensic-Device_Still-2.jpg <br /> <div style="text-align: center">Stills from III. A CHROMATIC REPORT ON TRANSITION: R-03. Y-11. B-06. P-22. V-19. G-08.<br /><i>&#x22;Colour as Forensic Device; Spectrum as Emotional Evidence&#x22;</i></div><div style="text-align: left"><br />3-Channel Video, 4K Res., Stereo Sound<br />3 ‘45“</div> https://freight.cargo.site/t/original/i/L2742875024722174579304381870741/III.-A-CHROMATIC-REPORT-ON-TRANSITION-Colour-as-Forensic-Device_Still-1.jpg <br /> <div style="text-align: center">Stills from III. A CHROMATIC REPORT ON TRANSITION: R-03. Y-11. B-06. P-22. V-19. G-08.<br /><i>&#x22;Colour as Forensic Device; Spectrum as Emotional Evidence&#x22;</i></div><div style="text-align: left"><br /> 3-Channel Video, 4K Res., Stereo Sound<br />3 ‘45“</div><br /> https://freight.cargo.site/t/original/i/D2742880862950653211714082370197/IV.-The-Drop-A-Report-on-Impact--Ritual--and-the-Physics-of-Refusal_Still-16.jpg <br /> <div style="text-align: center">Stills from IV. The Drop: A Report on Impact, Ritual, and the Physics of Refusal</div><br /><div style="text-align: left">3-Channel Video, 4K Res., Stereo Sound<br />10 ‘03“</div> https://freight.cargo.site/t/original/i/M2742880862784632515050696405653/IV.-The-Drop-A-Report-on-Impact--Ritual--and-the-Physics-of-Refusal_Still-15.jpg <br /> <div style="text-align: center">Stills from IV. The Drop: A Report on Impact, Ritual, and the Physics of Refusal</div><br /><div style="text-align: left">3-Channel Video, 4K Res., Stereo Sound<br />10 ‘03“</div> https://freight.cargo.site/t/original/i/B2742880862969099955787791921813/IV.-The-Drop-A-Report-on-Impact--Ritual--and-the-Physics-of-Refusal_Still-17.jpg <br /> <div style="text-align: center">Stills from IV. The Drop: A Report on Impact, Ritual, and the Physics of Refusal</div><br /><div style="text-align: left">3-Channel Video, 4K Res., Stereo Sound<br />10 ‘03“</div><br /> https://christianilli.com/tinikling-exe-terror-or-¾-(2022) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: right"><br /> Bamboo Poles, Robotic Arms; Wiper Motors, Stomp Box<br />Exhibition View: Art Nou 2022, H2O Gallery, Barcelona</div> https://freight.cargo.site/t/original/i/I2291889471115439585152068022933/TINIKLING.EXE--TERROR-or-.jpg <div style="text-align: right"><br /> Bamboo Poles, Robotic Arms; Wiper Motors, Stomp Box<br />Exhibition View: Art Nou 2022, H2O Gallery, Barcelona</div> https://christianilli.com/renegotiations-in-self-determination-being-in-between-(2020) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/L2291901020806371575439430316693/Renegotiations-in-Self-Determination-Being-In-Between.jpg <div style="text-align: right"><br /> Modular Works: Object Constellations &#x26; Configurations No. I-V<br />Framed Water Tank, Water Pump, Steel Substructure,<br />Continuous Paper Forms, Institutional Chairs, Dot Matrix Printers<br /> <br /> </div><br /><br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> https://freight.cargo.site/t/original/i/O2291912070738113120787620229781/logos-kunststiftung_wkv_hangar_goethe.png https://christianilli.com/choreographies-of-labo(u)r-(2020) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br /> <div style="text-align: right">Installation View: 5-Channel Video / Steel Frame / Swivel Chairs</div><br /> https://freight.cargo.site/t/original/i/R2291916411035632735760600855189/Choreographies-of-Labour_Session-I.jpg <br /> <div style="text-align: right">(undocumented) Filipino Hairdresser Session I: 5-Channel Video / Selected Stills / Duration: 11’ 8”</div><br /> https://freight.cargo.site/t/original/i/D2291916522343286476524035306133/Choreographies-of-Labour_Session-IV.jpg <br /> <div style="text-align: right">(undocumented) Construction Worker Session IV: 5-Channel Video / Selected Stills / Duration: 8’ 4”</div><br /> https://freight.cargo.site/t/original/i/X2291920728551423419702285234837/Choreographies-of-Labour-2020.jpg <br /> <div style="text-align: right">Installation View: 5-Channel Video / Steel Frame / Swivel Chairs</div><br /> https://christianilli.com/something-of-substance-in-the-end-(2020) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br /> <div style="text-align: right">Single-Channel / Selected Stills / Loop Duration: 25’ 45”</div><br /> https://freight.cargo.site/t/original/i/Y2291931024158906302919490466453/-Something-of-Substance--In-the-End-2020.gif <br /> <div style="text-align: right">Single-Channel / Selected Stills / Loop Duration: 25’ 45”</div><br /> https://freight.cargo.site/t/original/i/U2291937742481544692011898565269/Modular-Works-Object-Constellation-No.-I_View-II.jpg <div style="text-align: right"><br /> PARATEXT #48 @HANGAR.ORG, Barcelona<br />Installation &#x26; Projections w/ Live Printing Performance</div> https://freight.cargo.site/t/original/i/M2291937833110398326146925654677/Modular-Works-Object-Constellation-No.-I_View-III.jpg https://christianilli.com/《-mashed-potato-》-(2020) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br /> 년 6월 5일 금요일부터 20일 토요일까지 whatreallymatters Seoul, KOR 2020 https://freight.cargo.site/t/original/i/G2291996141128593009893002769045/0606______-0956.jpg <br /> 년 6월 5일 금요일부터 20일 토요일까지 whatreallymatters Seoul, KOR 2020 https://freight.cargo.site/t/original/i/J2291996248488643518882593174165/0606______-0811.jpg <br /> 년 6월 5일 금요일부터 20일 토요일까지 whatreallymatters Seoul, KOR 2020 https://freight.cargo.site/t/original/i/G2291996342935973176275497448085/0606______-0987.jpg <br /> 년 6월 5일 금요일부터 20일 토요일까지 whatreallymatters Seoul, KOR 2020 https://christianilli.com/ludwig-van-—-bthvn-hommage-à-mauricio-kagel-(2020) 2026-01-12T23:24:10+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br />Single-Channel, Duration: 3’01” https://freight.cargo.site/t/original/i/O2292006891835698935598555918997/Screenshot-2019-11-11-at-13.25.38.png <br />Single-Channel, Duration: 3’01” https://freight.cargo.site/t/original/i/Y2292007056694250722340818711189/Screenshot-2019-11-11-at-13.26.05.png <br />Single-Channel, Duration: 3’01” https://freight.cargo.site/t/original/i/X2292007139298770684412190847637/Screenshot-2019-11-11-at-13.26.26.png <br />Single-Channel, Duration: 3’01” https://freight.cargo.site/t/original/i/R2292007305540828276682670011029/Screenshot-2019-11-11-at-13.26.50.png <br />Single-Channel, Duration: 3’01” <br /> https://freight.cargo.site/t/original/i/Y2292007398826013057431872533141/Screenshot-2019-11-11-at-13.27.00.png <br />Single-Channel, Duration: 3’01” https://christianilli.com/fragments-of-identity-in-the-postcolonial-philippines-—-diploma-(201718) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/H2292017769972912922489691632277/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-I.jpg https://freight.cargo.site/t/original/i/P2292017872370789275651412652693/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-II.jpg https://freight.cargo.site/t/original/i/S2292017957926788289516313047701/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-III.jpg https://freight.cargo.site/t/original/i/K2292018092698700492038297154197/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-IV.jpg https://freight.cargo.site/t/original/i/S2292018283142886309015708037781/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-V.jpg https://freight.cargo.site/t/original/i/B2292018367518293702163197129365/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-VI.jpg https://freight.cargo.site/t/original/i/D2292018434203273528623226221205/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-VII.jpg https://freight.cargo.site/t/original/i/L2292018511661151894129633456789/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-VIII.jpg https://freight.cargo.site/t/original/i/U2292018557980926263214317564565/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-IX.jpg https://freight.cargo.site/t/original/i/F2292018623208613307851292078741/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-X.jpg https://freight.cargo.site/t/original/i/J2292018741249328635518712869525/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-XI.png https://freight.cargo.site/t/original/i/Z2292018819592650716563178582677/FRAGMENTS-OF-IDENTITY-in-the-postcolonial-PHILIPPINES--DIPLOMA-XII.png <div style="text-align: right"><i>“We already know you were conquered by the Spanish, sold to the Americans, raped by the Japanese and totally fucked over by the Marcoses …”</i><br />— Adeline Ooi’s assessment on Philippine contemporary art</div> https://christianilli.com/«-ceci-n'est-pas-l'afrique-»-;-𝔅𝔢𝔯𝔱𝔥𝔬𝔩𝔡-ℑ𝔩𝔩𝔦-(2002)-tropical-malady-(201718) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg Series of Overpaintings based on Berthold Illi’s Travel Diary in South Africa<br />Dim. var. / Paintings: Oil &#x26; Acrylic / Canvas; Wooden Board; Gallery Crate; EUR-Pallet<br /><br /> https://freight.cargo.site/t/original/i/W2517794580638059198664104538773/L1020777_WEB.jpg Series of Overpaintings based on Berthold Illi’s Travel Diary in South Africa<br />Dim. var. / Paintings: Oil &#x26; Acrylic / Canvas; Wooden Board; Gallery Crate; EUR-Pallet<br /><br /> https://freight.cargo.site/t/original/i/N2517794580619612454590394987157/L1020780_WEB.jpg Series of Overpaintings based on Berthold Illi’s Travel Diary in South Africa<br />Dim. var. / Paintings: Oil &#x26; Acrylic / Canvas; Wooden Board; Gallery Crate; EUR-Pallet<br /><br /> https://freight.cargo.site/t/original/i/M2517794580582718966442975883925/L1020785_WEB.jpg Series of Overpaintings based on Berthold Illi’s Travel Diary in South Africa<br />Dim. var. / Paintings: Oil &#x26; Acrylic / Canvas; Wooden Board; Gallery Crate; EUR-Pallet<br /><br /> https://freight.cargo.site/t/original/i/P2517794580601165710516685435541/L1020781_WEB.jpg Series of Overpaintings based on Berthold Illi’s Travel Diary in South Africa<br />Dim. var. / Paintings: Oil &#x26; Acrylic / Canvas; Wooden Board; Gallery Crate; EUR-Pallet<br /><br /> https://christianilli.com/花樣年華-—-in-the-mood-for-love-(2017) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/G2292030320823986025215548781205/--IN-THE-MOOD-FOR-LOVE---I.png https://freight.cargo.site/t/original/i/D2292030413850916388932817580693/--IN-THE-MOOD-FOR-LOVE---II.png https://freight.cargo.site/t/original/i/Y2292030544177163269690799747733/--IN-THE-MOOD-FOR-LOVE---III.png https://freight.cargo.site/t/original/i/K2292030604977631736637481874069/--IN-THE-MOOD-FOR-LOVE---IV.png https://freight.cargo.site/t/original/i/S2292030674374282941932815053461/--IN-THE-MOOD-FOR-LOVE---V.png https://freight.cargo.site/t/original/i/Z2292030729917429347872274969237/--IN-THE-MOOD-FOR-LOVE---VI.png https://freight.cargo.site/t/original/i/N2292030799092719624283093529237/--IN-THE-MOOD-FOR-LOVE---VII.jpg https://freight.cargo.site/t/original/i/N2292030849839712571058070024853/--IN-THE-MOOD-FOR-LOVE---VIII.png <div style="text-align: center"><br />(茨岡女神) . . Yezi H . .<br />(cígāng nǚshén)</div> https://christianilli.com/st-luke’s-—-medical-center-(2017) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/G2292037795407791204178444481173/St.-Lukes--Medical-Center-III.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/I2292037859639354068835103208085/St.-Lukes--Medical-Center-IV.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/W2292037911437811427811524145813/St.-Lukes--Medical-Center-V.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/D2292037986073337950040369984149/St.-Lukes--Medical-Center-VI.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/F2292038041118422265989672006293/St.-Lukes--Medical-Center-VII.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://freight.cargo.site/t/original/i/R2292038133149228449726625018517/St.-Lukes--Medical-Center-VIII.jpg <div style="text-align: center"><br />路加: St. Luke’s — Medical Center (Print)<br />Still Series, 23 p.</div> https://christianilli.com/self-criticism-—-自己批判-(2017) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/N2292052629855100167704534381205/SELF-CRITICISM---p20-2048x1448.jpg <div style="text-align: center"><i><br /> “Just because you don’t see it …“</i></div><br /> https://freight.cargo.site/t/original/i/X2292053329595443115728955830933/SELF-CRITICISM---p21-2048x1448.jpg <i><br /> </i><div style="text-align: center"><i>Doesn’t mean it’s not there.</i></div><br /> https://freight.cargo.site/t/original/i/P2292053399416369434719608697493/SELF-CRITICISM---p6-2048x1448.jpg https://freight.cargo.site/t/original/i/T2292053455771172579902288884373/SELF-CRITICISM---p18-2048x1448.jpg <i><br /> </i><div style="text-align: center"><i>Extra — Judicial — Killings</i></div><br /> https://freight.cargo.site/t/original/i/Q2292053560050616828582384169621/SELF-CRITICISM---p42-2048x1448.jpg <div style="text-align: center"><br /><i>the</i> —<i> triangle </i>— <i>(omni)<br />hierarchy</i> —<i> present<br />always</i></div> https://freight.cargo.site/t/original/i/X2292053617512224618187637453461/SELF-CRITICISM---p48-2048x1448.jpg <div style="text-align: center"><i><br /> In </i>— <i>the </i>— <i>Philippines,</i><br /><i>Human </i>— <i>Rights </i>— <i>Have</i><br />∞</div> https://freight.cargo.site/t/original/i/K2292053674734024734834666566293/SELF-CRITICISM---p49-2048x1448.jpg <div style="text-align: center"><i><br /> “Make </i>— <i>me </i>— <i>(look) good”</i></div> https://freight.cargo.site/t/original/i/D2292053782057181755676837868181/IMG_1900-1.jpg https://freight.cargo.site/t/original/i/E2292053834556615389454221767317/SELF-CRITICISM---p51-2048x1448.jpg <div style="text-align: center"><i><br /> I </i>— <i>seeing </i>— <i>country</i><br /><i>am </i>— <i>my </i>— <i>die</i><br /><i>right </i>— <i>before </i>— <i>me</i></div> https://freight.cargo.site/t/original/i/B2292053881522025801118740181653/SELF-CRITICISM---p95-2048x1448.jpg https://freight.cargo.site/t/original/i/R2292053971542136880821352067733/SELF-CRITICISM---p116-2048x1448.jpg https://freight.cargo.site/t/original/i/K2292054044738817365300852880021/Screenshot-2020-03-04-at-23.38.54.png https://freight.cargo.site/t/original/i/I2292054120352021323436304954005/SELF-CRITICISM---p131-2048x1448.jpg https://freight.cargo.site/t/original/i/A2292054169844635673199031939733/SELF-CRITICISM---p128-2048x1448.jpg https://freight.cargo.site/t/original/i/E2292054226845074860961546433173/SELF-CRITICISM---p130-2048x1448.jpg <div style="text-align: center"><i><br /> on — all — phallocentric</i></div><br /> https://freight.cargo.site/t/original/i/X2293231964274868723480887095957/m_qq20170520104035.jpg https://christianilli.com/they-are-slaughtering-us-like-animals-kinakatay-nila-kami-parang-mga-hayop-他们像屠宰动物一样屠杀我们-—-自己批判-(2016) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: center"><br /> <br /> The New York Times 一 DEC. 7, 2016</div><br /> https://freight.cargo.site/t/original/i/Y2293203590323238026765521187477/humpback_whale-e6ff0b17afa4d07e9ff2c4a54e04c506c90d52c4649f8fdd1ed143df4cc59db5.png https://freight.cargo.site/t/original/i/J2293224252631955453276543578773/They-Are-Slaughtering-Us-Like-Animals--Kinakatay-nila-kami-parang-mga-hayop-----2016.png <div style="text-align: center"><br /> <br /> The New York Times 一 DEC. 7, 2016</div><br /> https://freight.cargo.site/t/original/i/J2293229913863924698443096322709/Screenshot-2020-03-04-at-23.39.10.png https://christianilli.com/courage-integrity-(2015) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/P2293239975234651333696415134357/COURAGE---INTEGRITY--I.png https://freight.cargo.site/t/original/i/E2293240043893432776043366249109/COURAGE---INTEGRITY--II.png https://freight.cargo.site/t/original/i/D2293240162561337402216911794837/COURAGE---INTEGRITY--III.png 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https://freight.cargo.site/t/original/i/Q2293254518795252998896585601685/L-i-n-a-g-e-s-2015--XVI.png https://freight.cargo.site/t/original/i/P2293254518887486719265133359765/L-i-n-a-g-e-s-2015--XXI.png https://freight.cargo.site/t/original/i/C2293254518610785558159490085525/L-i-n-a-g-e-s-2015--VI.png https://freight.cargo.site/t/original/i/D2293254518869039975191423808149/L-i-n-a-g-e-s-2015--XX.png https://freight.cargo.site/t/original/i/J2293254518647679046306909188757/L-i-n-a-g-e-s-2015--VIII.png https://freight.cargo.site/t/original/i/B2293254518666125790380618740373/L-i-n-a-g-e-s-2015--IX.png https://freight.cargo.site/t/original/i/I2293254518592338814085780533909/L-i-n-a-g-e-s-2015--V.png https://freight.cargo.site/t/original/i/E2293254518555445325938361430677/L-i-n-a-g-e-s-2015--III.png https://freight.cargo.site/t/original/i/M2293254518684572534454328291989/L-i-n-a-g-e-s-2015--X.png https://freight.cargo.site/t/original/i/J2293254518739912766675456946837/L-i-n-a-g-e-s-2015--XIII.png https://freight.cargo.site/t/original/i/J2293254518186510444464170398357/L-i-n-a-g-e-s-2015--I.png https://christianilli.com/herding-islands,-rats-the-anthropocene-—-planting-≠-rice-(2015) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/T2293271734477414205367564956309/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--IX.png https://freight.cargo.site/t/original/i/B2293271734440520717220145853077/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--VII.png https://freight.cargo.site/t/original/i/Q2293271734532754437588693611157/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--XII.png https://freight.cargo.site/t/original/i/F2293271734366733740925307646613/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--III.png https://freight.cargo.site/t/original/i/Z2293271734551201181662403162773/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--XIII.png <i><br /> Planting Rice; { adapt ≠ adopt }</i> is a research triangulation between the invisibility of structures, transparency of political actions and the agency of artistic inscription. It induces itself along the questions of how one develops a position in order to participate in a set of problematics. https://freight.cargo.site/t/original/i/I2293271734403627229072726749845/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--V.png https://freight.cargo.site/t/original/i/D2293271734385180484999017198229/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--IV.png https://freight.cargo.site/t/original/i/N2293271733979352115377407062677/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--I.png https://freight.cargo.site/t/original/i/O2293271734348286996851598094997/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--II.png https://freight.cargo.site/t/original/i/J2293271734495860949441274507925/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--X.png https://freight.cargo.site/t/original/i/I2293271734514307693514984059541/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--XI.png https://freight.cargo.site/t/original/i/R2293271734422073973146436301461/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--VI.png https://freight.cargo.site/t/original/i/S2293271734458967461293855404693/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--VIII.png https://freight.cargo.site/t/original/i/S2293271950820828701833186308757/HERDING-ISLANDS--RATS---THE-ANTHROPOCENE--XIV.jpg <br /> The preview will open with Christian Illi’s new work <i>Planting Rice; { adapt ≠ adopt } </i>[…] Broadly, these works deal with images and representation of development and integration. But they become specific when […] worked around the images and representation of development and integration by institutions or any administrative-political organisations as vectors of their works. https://christianilli.com/p-e-r-d-u-—-à-la-recherche-du-temps-perdu-(2015) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/E2293299101956241496416085144213/AdBK-HFF.jpg https://freight.cargo.site/t/original/i/K2293302124252343788915312358037/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XV.png https://freight.cargo.site/t/original/i/Z2293302124197003556694183703189/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XII.png https://freight.cargo.site/t/original/i/H2293302124141663324473055048341/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--IX.png https://freight.cargo.site/t/original/i/M2293302124049429604104507290261/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--IV.png https://freight.cargo.site/t/original/i/G2293302123643601234482897154709/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--I.png <br /> P E R D U — À la recherche du temps perdu (2015)<br />Chapter Title, Film Still<br /> https://freight.cargo.site/t/original/i/M2293302124270790532989021909653/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XVI.png Lorem Ipsum... https://freight.cargo.site/t/original/i/Y2293302124215450300767893254805/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XIII.png https://freight.cargo.site/t/original/i/C2293302124123216580399345496725/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--VIII.png https://freight.cargo.site/t/original/i/R2293302124086323092251926393493/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--VI.png https://freight.cargo.site/t/original/i/Y2293302124233897044841602806421/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XIV.png https://freight.cargo.site/t/original/i/P2293302124104769836325635945109/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--VII.png https://freight.cargo.site/t/original/i/B2293302124012536115957088187029/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--II.png https://freight.cargo.site/t/original/i/X2293302124178556812620474151573/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--XI.png <br />Chapter: P I [ π ]<br />Film Still https://freight.cargo.site/t/original/i/K2293302124160110068546764599957/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--X.png https://freight.cargo.site/t/original/i/C2293302124030982860030797738645/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--III.png https://freight.cargo.site/t/original/i/W2293302124067876348178216841877/P-E-R-D-U--A-la-recherche-du-temps-perdu-2015--V.png https://freight.cargo.site/t/original/i/Q2293302808774122876129353724565/S-T-O-R-Y-B-O-A-R-D-I.jpg https://freight.cargo.site/t/original/i/O2293302808755676132055644172949/S-T-O-R-Y-B-O-A-R-D-II.jpg https://freight.cargo.site/t/original/i/R2293305282943671762422964220565/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--6.jpg https://freight.cargo.site/t/original/i/L2293305282869884786128126014101/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--2.jpg https://freight.cargo.site/t/original/i/T2293305282962118506496673772181/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--7.jpg https://freight.cargo.site/t/original/i/O2293305282888331530201835565717/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--3.jpg https://freight.cargo.site/t/original/i/N2293305282906778274275545117333/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--4.jpg https://freight.cargo.site/t/original/i/Y2293305282999011994644092875413/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--9.jpg https://freight.cargo.site/t/original/i/U2293305282980565250570383323797/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--8.jpg https://freight.cargo.site/t/original/i/B2293305282925225018349254668949/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--5.jpg https://freight.cargo.site/t/original/i/I2293305282445609672432806326933/P-A-T-I-E-N-C-E-P-E-R-D-U-P-I--1.jpg https://christianilli.com/noli-me-tángere;-อันล่วงละเมิดมิได้-{touch-me-not}-(2015) 2026-01-12T23:24:10+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg https://freight.cargo.site/t/original/i/C2293343613488522755721395761813/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.19.39.png https://freight.cargo.site/t/original/i/V2293343613045800897952366523029/Noli-me-tangere---TOUCH-ME-NOT-2015-10-30-um-01.20.48.png https://freight.cargo.site/t/original/i/T2293343613119587874247204729493/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-10.55.21.png <br /> They seem to be lost in space, not attached to what happens around them; isolated beings. It seems they need to create another room within a room, a room for them to conquer. Like space has been divided and constructed violently for geopolitical reasons, they are traveling through land in order to exploit; it and themselves. https://freight.cargo.site/t/original/i/U2293343613156481362394623832725/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-10.57.54.png <br /> A cleaned-up shiny aesthetic to transport disturbing images and moments of break-through… remain in — the surface — itself. To whom it may concern, the recipient itself.<br /> A voyeur taking a glimpse — into intimacy; a well-protected fortress. Not to create another mere constructed intellectual language.<br /> <br /> https://freight.cargo.site/t/original/i/Z2293343613101141130173495177877/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-10.55.09.png <br /> The approach of creating a universal language: a metaphor for the suffering and insecurity during the colonial period has been found through the story of surpressed and disturbed identities, not knowing who they are, yet what they stand for: https://freight.cargo.site/t/original/i/I2293343613617649964237362623125/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.30.20.png https://freight.cargo.site/t/original/i/D2293343613525416243868814865045/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.24.26.png https://freight.cargo.site/t/original/i/J2293343613248715082763171590805/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.06.52.png https://freight.cargo.site/t/original/i/A2293343613414735779426557555349/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.17.11.png https://freight.cargo.site/t/original/i/P2293343613027354153878656971413/Noli-me-tangere---TOUCH-ME-NOT-2015-10-30-um-01.20.57.png https://freight.cargo.site/t/original/i/P2293343613285608570910590694037/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.09.21.png https://freight.cargo.site/t/original/i/C2293343613340948803131719348885/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.10.14.png https://freight.cargo.site/t/original/i/N2293343613008907409804947419797/Noli-me-tangere---TOUCH-ME-NOT-2015-10-30-um-01.16.17.png <div style="text-align: center"><br /> NOLI ME TÁNGERE; อันล่วงละเมิดมิได้ [ EXCERPT ]<br />3-Channel Installation, Duration: 20’ min.</div> https://freight.cargo.site/t/original/i/A2293343613304055314984300245653/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.09.41.png https://freight.cargo.site/t/original/i/P2293343613506969499795105313429/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.21.58.png https://freight.cargo.site/t/original/i/K2293343613064247642026076074645/Noli-me-tangere---TOUCH-ME-NOT-2015-10-30-um-01.21.41.png <div style="text-align: center"><br /> A slide-show of profanity.<br /> <br /> Chris Marker; <i>Si j‘avais quatre dromadaires</i></div> https://freight.cargo.site/t/original/i/V2293343613580756476089943519893/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.25.44.png https://freight.cargo.site/t/original/i/E2293343613359395547205428900501/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.10.38.png https://freight.cargo.site/t/original/i/L2293343613230268338689462039189/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.03.39.png https://freight.cargo.site/t/original/i/V2293343613211821594615752487573/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.02.05.png https://freight.cargo.site/t/original/i/O2293343613543862987942524416661/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.24.37.png https://freight.cargo.site/t/original/i/H2293343613267161826836881142421/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.08.57.png https://freight.cargo.site/t/original/i/C2293343613599203220163653071509/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.26.42.png https://freight.cargo.site/t/original/i/W2293343613322502059058009797269/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.09.54.png https://freight.cargo.site/t/original/i/S2293343613451629267573976658581/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.18.26.png https://freight.cargo.site/t/original/i/S2293343613396289035352848003733/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.13.01.png <br /> The innocence of postcard images.<br /> <br /> コルディリェーラの棚田。 https://freight.cargo.site/t/original/i/I2293343613174928106468333384341/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.01.18.png https://freight.cargo.site/t/original/i/K2293343613377842291279138452117/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.12.38.png https://freight.cargo.site/t/original/i/L2293343613138034618320914281109/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-10.55.33.png <i><br /> Naïveté</i> — They fail to live up to their own expectations. An idealogy has taken its place. Sometimes — in a moment of meditation — starring against the wall. The details they‘re into — blown-up — closing their eyes and minds for the bigger scene as one needs space for interpretation and reflection.<br /> <br /> https://freight.cargo.site/t/original/i/D2293343613433182523500267106965/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.17.44.png https://freight.cargo.site/t/original/i/X2293343613082694386099785626261/Noli-me-tangere---TOUCH-ME-NOT-2015-10-30-um-01.21.23.png <br /> Noli me tángere; อันล่วงละเมิดมิได้<br /> <br /> Choosing the title of the work — Noli me tángere — is to claim the wide framework of historicism and the colonial discourse, mystifying and not trying to address its contents via form undeviatingly, a gap to be closed by the recipient.<br /> <br /> https://freight.cargo.site/t/original/i/E2293343613562309732016233968277/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.24.58.png https://freight.cargo.site/t/original/i/T2293343613470076011647686210197/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.19.10.png https://freight.cargo.site/t/original/i/P2293343613636096708311072174741/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-11.32.55.png <br /> Noli me tángere; อันล่วงละเมิดมิได้<br /><br />Source: 1080p HD; 25p; H.264; Lin; PCM; Stereo Codecs: ProRes 422, Lin; PCM; Timecode; HD (1-1-1) Duration: approx. 20’ min.; Subtitles: hard<br /> https://freight.cargo.site/t/original/i/D2293343613193374850542042935957/Noli-me-tangere---TOUCH-ME-NOT-2018-01-23-at-10.58.28.png https://freight.cargo.site/t/original/i/B2293343999578876218462311084693/...-.jpg https://christianilli.com/南華早報-—-south-china-morning-post-the-nine-dash-line-(2013—ongoing) 2026-01-12T22:00:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <div style="text-align: center"><br /> <br /> </div><br /> https://freight.cargo.site/t/original/i/A2293355719902190890563025826453/--SOUTH-CHINA-MORNING-POST-Page_1-2048x1475.jpg <div style="text-align: center"><br /> <br /> </div><br /> https://freight.cargo.site/t/original/i/X2293358555425009436753042928277/--SOUTH-CHINA-MORNING-POST-Page_2-2048x1339.jpg https://christianilli.com/p-á-r-á-s-ï-t-é-—-a-great-orgy-(2013) 2026-01-12T23:24:10+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg <br /> [*] And let us also ignore the overtones of pathology in this lifelong pattern of hyper-self-criticism, of real or simulated self-doubt, of avoiding sometimes for years on end the risk of disapproval. https://freight.cargo.site/t/original/i/M2293365477086107750345838490261/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.44.51.png <br /> P Á R Á S Ï T É — TIMELINE STILLS (2013)<br />(1920 x 1080) HD Video Projection: single-channel, approx. 18 min. https://freight.cargo.site/t/original/i/F2293365476920087053682452525717/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.50.03.png https://freight.cargo.site/t/original/i/D2293365477067661006272128938645/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.43.35.png https://freight.cargo.site/t/original/i/L2293365476956980541829871628949/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.49.01.png https://freight.cargo.site/t/original/i/K2293365476901640309608742974101/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.52.12.png https://freight.cargo.site/t/original/i/J2293365476993874029977290732181/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.48.38.png https://freight.cargo.site/t/original/i/V2293365476883193565535033422485/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.52.23.png https://freight.cargo.site/t/original/i/Y2293365476569598916281971045013/P-A-R-A-S-I-T-E--A-Great-Orgy-Title-2048x1448.png <br /> [*] And let us also ignore the overtones of pathology in this lifelong pattern of hyper-self-criticism, of real or simulated self-doubt, of avoiding sometimes for years on end the risk of disapproval. https://freight.cargo.site/t/original/i/S2293365476864746821461323870869/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.53.40.png https://freight.cargo.site/t/original/i/S2293365476846300077387614319253/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.54.45.png <br /> P Á R Á S Ï T É — TIMELINE STILLS (2013)<br />(1920 x 1080) HD Video Projection: single-channel, approx. 18 min https://freight.cargo.site/t/original/i/M2293365477012320774051000283797/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.47.51.png https://freight.cargo.site/t/original/i/S2293365476975427285903581180565/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.48.48.png https://freight.cargo.site/t/original/i/F2293365476938533797756162077333/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.50.15.png https://freight.cargo.site/t/original/i/D2293365477049214262198419387029/P-A-R-A-S-I-T-E--Screen-Shot-2018-01-23-at-12.45.41.png 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